1868-1915,Swiss painter. While still at school he was given drawing lessons by Paul Volmar (1832-1906) in Berne. From 1883 he was a pupil of Fritz Schider (1846-1907) in Basle, where he became acquainted with the works of Hans Holbein the younger and Arnold B?cklin. In 1886 he went to the Akademie der Bildenden K?nste in Munich, transferring in 1887 to Simon Holl?sy painting school. After seeing the works of the French Impressionists exhibited in Munich, he moved to the Acad?mie Julian in Paris in 1889. He made several journeys to Algeria, Holland, Belgium and England, and in 1893 he returned to Munich to study under Albert von Keller. In 1898 he settled in Switzerland, living first at Lucerne, then from 1903 in Brienz, near Interlaken. About 1900, influenced by the paintings of Ferdinand Hodler, Buri moved on from his early genre pictures, which were in mawkish shades of pink in the style of Keller and H?llosy, to achieve an individual style that brought him great popularity. He established his reputation with Village Politicians (1904; Basle, Kstmus.). He painted mainly the landscape and people of the Bernese Oberland, often depicting single figures and groups in front of bare indoor walls in realistic everyday scenes. The expressiveness of the compositions is achieved by clear contours and powerful clearly differentiated surfaces in local colours. Buri works are essentially populist rather than intellectual and avoid Hodler strict parallelism and Symbolist content.   Related Paintings of Max Buri :. | Am Brienzersee | Stilleben mit Apfeln und Birne | Mutteridyll | Apfelstilleben | Die Jasser |
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Baron Gerard
There have been three baronies created for descendants of the Gerard family who resided at Bryn, Ashton in Makerfield, Lancashire and Kingsley, Cheshire in the 13th century. The title Baron Gerard of Gerards Bromley, was created in the Peerage of England on 21 July 1603 for Sir Thomas Gerard (d. 1617), son of Sir Gilbert Gerard (d. 1593) Attorney General between 1559 and 1581 and Master of the Rolls in 1581, who acquired estates at Gerards Bromley and Hilderstone, Staffordshire. The first Baron was Lord President of Wales between 1610 and 1617. The barony passed in direct line of succession until the death of the fifth Baron in 1684 when it passed to his second cousin Charles, and upon his death without a male heir , to his brother Philip Gerard, a Jesuit priest who died childless in 1773 when the barony expired. The title of Baron Gerard of Bryn in the County Palatine of Lancaster, was created in the Peerage of the United Kingdom in 1876 for Sir Robert Gerard, 13th Baronet. The title followed the line of the first Baron's eldest son until the death of the latter's grandson, the fourth Baron, in 1992. He was succeeded by his second cousin once removed, the fifth and present holder of the barony. He is the great grandson of Captain the Hon. Robert Joseph Gerard-Dicconson, second son of the first Baron. A Gerard Baronetcy had been created in the Baronetage of England in 1611 for Thomas Gerard, Member of Parliament for Liverpool, Lancashire, and Wigan who was a direct descendant of the family of Bryn. He was succeeded by his son, the second Baronet. He also represented Liverpool in the House of Commons. His son, the third Baronet, was a Royalist during the Civil War and spent a large part of his estate in in his support for King Charles I. His great-great-great-grandson was the aforementioned thirteenth Baronet, who was elevated to the peerage in 1876. For the title Baron Gerard of Brandon, in the County of Suffolk, created in 1645 for a great-grandson of Sir Gilbert Gerard (mentioned above), see Earl of Macclesfield.
Alexander Helwig Wyant
American Tonalist Painter, 1836-1892,American painter. He began as an itinerant painter of topographical landscapes along the banks of the Ohio River c. 1854, influenced by such landscape artists as Worthington Whittredge and George Inness. In 1863-4 Wyant moved to New York, where he was impressed by the paintings of the Norwegian artist Hans Gude in the Desseldorf Gallery. This led him to work with Gude in Karlsruhe, Germany, in 1865. On his way both there and back, he studied paintings by Constable and used a more painterly technique especially for views of Ireland.
Alessandro Longhi
1733-1813 Italian Alessandro Longhi Gallery Alessandro Longhi (1733-1813) was a Venetian portrait painter and printmaker in etching (mostly reproductions of paintings). He is known best for his oil portraits of Venetian nobles of state. His father was the famed genre painter Pietro Longhi. He trained under his father and Giuseppe Nogari (1609-1763). Like Sebastiano Bombelli in the prior century, Alessandro Longhi is noted for his zealous full-length depicitions of robes and emblems of office. His "tumultuous and unusual (etching) technique shows first-hand knowledge of Rembrandt's etchings", according to Olimpia Theodoli.